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Sequoia

Product Code: 1.206

The project name of our ‘Sequoia’ bar stool was ‘Forest’, as the division of the stem into two tubes reminded us of a solid branch growing out of tree trunk. Sequoia has a clear recognizable, unified graphical outline – it reminds us of a calligraphical character. The foot rest has the shape of a foot plate. This gives a certain freedom of movement: it’s like we’ve lifted a segment of the floor. To us, the similarity in shape between the seat and foot rest is an important feature as it makes more meaning of the branch like division of the stem. We looked into various material technologies before we landed on a construction that is inspired by how bicycle frames are put together.

 


 

Stool for domestic and contract use (bars and restaurants). Materials: steel painted in polyester powder. Flame-retardant.

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  • Torbjørn Anderssen & Espen Voll

    Torbjørn Anderssen and Espen Voll were born respectively in Elverum, 1976 and in Trondheim, 1965. They both come from creative backgrounds: Torbjørn is the son of a musician and a teacher, and Espen the son of a ceramist and an architect.

    After graduating from the “Bergen Academy of Art and Design” and the “Oslo National Academy of Art”, they went on to cofound the design group Norway Says in 2000. Norway Says were forerunners in a growing international orientation amongst Norwegian designers – at the same time drawing international interest to Norway’s emerging young design scene.

    Norway Says had two particular crowning moments, with the “Söderbergs Award” in 2007, and a 10-year retrospective exhibition at the “National Museum of Art, Architecture and Design” in Oslo in 2009.

    Anderssen & Voll was set up in 2009. Their work spans from textile design through tableware, lighting and furniture to electronics for some of Europe’s most renowned international brands.

    They have been absolute key in proposing what is known as “New Nordic”, through their contributions for companies including Muuto, Kvadrat, Erik Jørgensen, Wrong for Hay, Jøtul, Røros Tweed and LK Hjelle. Their work also resonates well with Italian brands such as Magis, Foscarini and Lapalma.

    Working with the strongly contrasting industrial cultures to be found in the the mountains of Norway and in the Venetian plains is a continous source of inspiration, as are the liberating possibilities of large-scale industrial thinking.

    Torbjørn Anderssen teaches at the “Bergen Academy of Art and Design”.

  • Torbjørn Anderssen & Espen Voll
  • Magis

    Profile
    A story of ideas, creativity and experimentation. Since 1976. This is the know-how that Magis brings to the world of design.

    Established in Northern Italy as a family business, the ingenuity of the visionary Eugenio Perazza soon led it to become a great design laboratory for home, outdoor, office and contract furniture, and a global player in the design field.

    EXPERIMENTING… MORE

    Magis is a Latin word meaning “more“. And this is precisely the origin of the propulsive drive for experimentation. To be and do more.

    Magis has always believed in young and emerging talents, and over the years, the company has grown and experimented alongside many of them, now famous on the international scene. Jasper Morrison, Konstantin Grcic, Philippe Starck, Ronan & Erwan Bouroullec and Jerszy Seymour are just some of the designers who are part of the Magis family.

    INNOVATING

    A concrete view of design, unafraid to dare. Because the drive towards ever new ideas, codes and production systems leads this company towards an uncompromising design that will last over time and create not only industrial projects with an artisanal soul, but also positive relationships with employees, customers and partners.

    The focus is on design, the choice of materials, technologies and production processes, which are different for each project and product. With one eye toward the past, which Magis loves to draw upon, and one on a new, sustainable and timeless future.

    An eclectic, versatile design that graces homes, public spaces and the permanent exhibitions of more than 35 museums around the world, and has won close to a hundred extremely prestigious accolades, including five Compasso d’Oro awards, the oldest and most authoritative worldwide design award.

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